A look at the lives of two teenage girls – inseparable friends Ginger and Rosa, growing up in 1960s London as the Cuban Missile Crisis looms, and the pivotal event that comes to redefine their relationship.
Further Reading
- Kate Ince, ‘Feminist Phenomenology and the Films of Sally Potter’, in Existentialism and Cinema: A Beauvoirian Perspective edited by Jean-Pierre Boulé and Ursula Tidd (Oxford: Berghahn, 2012)
- Sophie Meyer, ‘Bomb Culture’ in Sight and Sound, November, 2012, pp, 34-5
- Sophie Meyer, Political Animals: The New Feminist Cinema (IB Tauris, 2015), 95-98.
- Lisa Mullen, ‘Ginger and Rosa’ in Sight and SoundNovember, 2012, pp. 88-89