An interdisciplinary group of researchers at the University of Exeter explores topics related to the history of magic, occult, and esoteric literatures using a ground-breaking approach by studying many different cultures and languages all in dialogue with one another. This blog will help publicise the University of Exeter as a leading location for the study of these previously neglected subjects which are rapidly growing in importance among scholars and students today. Topics of research include but are not limited to witchcraft, Western Esotericism, Occult texts in Christianity, Islam, and Judaism, European folklore, magic in Greece and Rome, and the history of science and medicine.
Truths and lies
Concealment and revelation
Chaos and oder
These are challenging times. How we communicate, how we look at one another, and how we perceive our everyday surroundings are radically shifting from day to day. Join in with Professor Brian Rappert in using magic as a method for reflecting on our altered experiences. In this highly interactive, on-line event, some of the magic will take place in your very hands! And who doesn’t need a bit more magic in their lives these days…
Magic in an Age of Pretence isn’t an ordinary magic show! Instead of a magician set apart from the audience, this show consists of using the play of secrecy, disclosure and deception in magic to generate discuss the role of secrecy, disclosure and deception in art, science, war, and daily life. Find out more about Brian Rappert here: hhttps://brianrappert.net/
” A truly unique film festival overtly dedicated to the domain of Hermetica: The Unorthodoxy underlying the mainstream intellectual history, the neglected Heterodoxy rooted in our cultural legacy, the eternal search for understanding the Inexplicable, the everlasting fascination for the Supramundane, the timeless allure of the Supernatural.”
Talks and workshops from 10.00 am to 6.00 pm, followed by a live performance of Circle of Spears production ‘Witch’ at 7.30 and then a film screening.
Current line-up includes a presentation on the Dartmoor legends of Vixiana and Vixen Tor, a workshop by doula Jemma Nicholls on Childbirth and Charms, wise women/botanical lore storytelling with Lisa Scheidenau, a talk from folklorist Icy Sedgwickand music from Inkubus Sukkubus. More participants to be announced shortly. Anyone wishing to submit a proposal for a presentation should contact firstname.lastname@example.org as soon as possible
Join Brian Rappert in his latest interactive performance of trickery:
We will use the play of secrecy, disclosure and deception in magic to discuss the role of secrecy, disclosure and deception in art, science, war, and daily life. I hope to promote a spirit of curiosity and wonder about how we manage to live together in the world today…
Max 12 in the audience: this is an intimate affair!
This isn’t a children’s show – suggested minimum age 15.
“FOUR OF SWORDS, in collaboration with THE WELLCOME TRUST, EXETER UNIVERSITY and the NATIONAL TRUST, is honoured and proud to announce a brand new show for Autumn and Winter 2019!
DOCTOR DRACULA is another immersive theatre production, drawing on a variety of sources and examining how the symbolic role of blood connects with a cutting edge, medical understanding of blood in the 21st century.
This is a little different from our previous shows. It is not a straight adaptation of the Dracula story. Instead, story vignettes from classic vampire stories will draw the audience back-and-forth through time. Medieval blood-letting and grave-robbing will be contrasted with experiments in parabiosis, blood transfusion, and autovampirism. Misunderstood blood conditions such as haemochromatosis and haemophilia will be highlighted. The show will be playful and irreverent, but also scary, unsettling and deadly serious!”
The four centuries of the Roman imperial period saw massive shifts in all aspects of life for people across the Mediterranean and northern Europe, including in the ways in which they communicated with the supernatural, as it fostered unprecedented movements of people, objects and ideas. Much work has been done on how these changes affected the beliefs and practices conventionally called religion, but there is plenty of scope for exploring those that both modern scholars and the ancients themselves recognised as magical.
Materials and materiality mattered, but sensory experiences and emotional responses were also important components of Roman magical practice and were integral to the successful and efficacious completion of ritual action. Seeing, hearing, smelling, tasting and feeling were key elements of the ‘doing’ and, in reality, there can be little separation between these concepts if we are to have a holistic understanding and engagement with this part of life in the ancient world.
It is the objective of this conference to develop these ideas and to take them further, into the theoretical fields of sensory and emotional archaeologies in order to help modern scholars to understand the relationships between people, objects, and magical rituals. The physical, emotional, and intellectual sensorium of the ancient world is difficult to access, but recent research has begun to provide toolkits and approaches which may be applied to the study of Roman magic.
The burgeoning field of sensory studies in antiquity has provided fertile ground for discussion and has greatly advanced our understanding of life in the Roman world, and emotional archaeologies may help to advance our understanding of emotional effects of ritual practices. Approaching magical practices in these contexts and/or theoretically focused ways can reveal more of the lived experience of the individuals who performed them in their daily lives but can also illuminate broader questions on the nature of a particular society as it changed over space and time.
The study of ‘magic’ in the ancient has long suffered from scholarly disagreements regarding semantics and, subsequently, definitions of this term. Following on from the framework set out in McKie and Parker (2018) we opt not to provide a single, rigid definition of magic for our contributors and participants to use; we wish to encourage a multi-disciplinary conversation informed, perhaps, by multi-disciplinary understandings of magic. We will, however, expect contributors to be broadly aware of these issues and have reflected on this debate.
We would like this conference to reflect as diverse a range of backgrounds and experiences as possible: in professional terms, we welcome contributions from archaeologists, academics and ECRs, post-graduates, museum professionals, classicists and historians.
We would welcome papers on the following topics:
Sensory components of magical rituals (not necessarily limited to the classic five senses).
The emotional effects of practicing magic.
The interactions between human bodies and physical objects in magical rituals.
Issues of ephemerality, temporality, and/or seasonality in sensory or emotional approaches.
Experimental and reconstructive approaches to ancient magic.
Organisers: Stuart McKie (Durham University) and Adam Parker (Open University).
Please submit abstracts (300 words max) to Stuart McKie () and Adam Parker () by 30th November 2019.