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Grandisson 650

John Grandisson depicted in a corbel at the church of Ottery St Mary

Tuesday 16 July 2019 marks the 650th anniversary of the death of John Grandisson (1292-1369), Exeter’s longest-serving bishop. The cathedral and the diocese have been shaped by many hands over many centuries but arguably it is Grandisson, who led the diocese for forty-two years from 1327, whose imprint has proved the most enduring.

Before his tenure, Exeter was seen as something of a poor relation among the cathedrals of medieval England. When he arrived the cathedral church itself was unfinished, building work having stalled repeatedly due to the shortage of funds. By the time of his death, its appearance, and its reputation, were transformed. Exeter Cathedral had become a beacon for worship in the west of England, and the cultural and creative centre-point of the city, county and diocese.

Grandisson was born to be a leading figure in public life. His family were aristocrats from Herefordshire with blood ties to many of England’s greatest noble dynasties; they could even claim a connection with the Plantagenet royal family. His background would have ensured his rise to the top in any walk of life but as a boy John was recognised for his intellectual talents and he was sent to study at Oxford and Paris, then the most prestigious university in Latin Europe. At Paris Grandisson came under the influence of one of the leading minds of the time, Jacques Fournier, whose own career as a churchman was one of the most significant of the age, leading the battle against the notorious Cathar heretics and culminating in his election as Pope Benedict XII in 1334.

 

Tomb of Pope Benedict XII at Avignon

From university John moved on to the city of Avignon in southern France, then the capital of the Roman papacy. He was set fair for a career in the papal court but his talents marked him out as a potential leader of the church in England and in 1327 Pope John XII appointed him to the bishopric in Exeter. It was something of a back-handed compliment: his predecessor, Walter de Stapledon had just been murdered by a London mob leading an uprising against the government of King Edward II (1307-27). Exeter was well-known for its poverty, the poor state of its buildings, and its remote position at the outer reaches of the realm. It was a far cry from the cultivated world of princes and prelates Grandisson had known all his life. ‘I find myself not only at the ends of the earth’, he wrote, ‘but in the very end of the ends thereof’.

Exeter Cathedral Minstrels’ gallery

Grandisson’s first priority was to finish the cathedral church. Making use of materials which had been stockpiled, he oversaw the completion of the nave, including the vaulted ceiling with its bosses carved with vivid images still in situ today. He also added new features which had not been envisaged by his predecessors, probably the Minstrels’ Gallery on the nave’s north wall, and a chantry chapel which he intended for his own tomb.

 


The church of St Mary at Ottery

Grandisson not only completed the cathedral church but also invested in a dramatic re-development of the church of St Mary at Ottery, turning it into a collegiate church. Just about a dozen miles east of Exeter, Grandisson made Ottery St Mary a grand gateway to his diocese. His mitred head can still be seen on a corbel stone at one end of a nave arch.

Grandisson also invested in the working life of the cathedral. He provided books for the use of the cathedral canons, liturgy and music to assist them in their worship and learned texts of theology, canon law and science to ensure they could meet the demands of their ministry in the city and diocese. The books were placed in a purpose-built library, the first in the cathedral’s history, and perhaps the first in the west of England – it was another hundred years before there was a library at Wells Cathedral in Somerset.

Grandisson’s cosmopolitan early years had given him a love of stylish furnishings and during his career at Exeter he commissioned many remarkable artworks. An ivory diptych now in the collection of the British Museum depicts a finely carved images of the crucified Christ and the Blessed Virgin Mary.

 

Grandisson diptych, British Museum

An exceptional set of Mass vestments were made for him: an orphrey, an ornamental border cloth, now in the Victoria & Albert Museum in London and a chasuble, now kept in the museum of the church of St Sebastian at Ponta Delgada in the Azores display some of the very finest embroidery in gold and silver-gilt thread, known as Opus Anglicanum or English work because the skill was unmatched anywhere in Europe.

Grandisson Orphrey, Victoria & Albert Museum
Becket boss, Exeter Cathedral

More important than building work or the furnishings, Bishop John applied his genius to the practice of worship in the cathedral. He was fascinated by the long history of the church and the lives of the saints whose feast-days filled the calendar. He made his own collection of these histories to be used in the cathedral, finely copied in a folio manuscript which is still kept in the Library & Archives. The life-story that fascinated him most was that of Thomas Becket, archbishop of Canterbury under Henry II (1162-70), whose determination to keep the church independent from the king and his government led to a long dispute, exile and finally roused four of Henry’s knights to murder him in his cathedral. Becket had turned his back on his career as a courtier, its privilege and political influence, and committed himself to his church and the people it served. For Grandisson he was the perfect role model.

Grandisson was also interested in the sight and sound of worship. He created a new Ordinal for the Cathedral, that is the manual that set out how the clergy were to process, where they were to stand, and what parts of the liturgy were to be spoken and sung. Today, the Cathedral Choir still turns to Grandisson’s guidance for the Christmas Eve service that carries his name.

At 5.30pm on 16 July Exeter Cathedral will perform a requiem mass in honour of their great bishop. In the following months further events will recall his contributions in different dimensions of church life including decorative art, the customs of worship in liturgy and music and education, learning and the making of books. Related exhibits will display some of the artefacts connected with him still held in the Cathedral Library & Archives.

James Clark

 

Forging the Past in Medieval Exeter

May is an exciting month for Exeter’s Anglo-Saxon manuscripts. As a part of Dr Levi Roach’s AHRC funded grant ‘Forging Memory: Falsified Documents and Institutional History in Europe, c.970-1020’, a series of events will be held across the University, and the Cathedral and its Library & Archives exploring Exeter’s genuine and fake medieval documents.

In the 1060s, shortly before the Norman Conquest, the canons at Exeter Cathedral produced a series of fake royal charters. These forgeries claimed that King Æthelstan of England (924-39) had granted the church multiple pieces of land along the Exe valley. These fakes tell us little about the reign of Æthelstan, but they do provide a fascinating snapshot into the concerns of the eleventh-century cathedral community and its leader, Bishop Leofric.

An Anglo-Saxon forged charter at Exeter Cathedral

Medieval charters were created to record a transaction between two parties, such as a king and a church. As such, they capture the interests of both the donor and the recipient. In contrast, a fraudulent charter only represents the concerns of those who later forged it. Medieval forgeries can therefore provide us with a privileged view into the thoughts and concerns of the clerics who produced them. In the case of Exeter Cathedral, the forgeries in the name of Æthelstan were created to try and enhance the church’s properties: none of the lands ‘Æthelstan’ supposedly granted in the charters were held by the Cathedral in the eleventh-century. Through these forgeries, the canons tried to provide proof of their ancient right to things which did not belong to them.

King Aethelstan (Originally from Corpus Christi College, Cambridge)

Forgeries can tell us about more than just a community’s nefarious ambitions, however. The ways they were composed reveal how medieval people thought about their past. Often, when completing fake documents, forgers would try and copy the style or handwriting of other ancient documents; they were aware that fakes had to look the part. In turn, the authorities invoked in forgeries reveal what parts of the past were most important to a community. At eleventh-century Exeter, it seems that King Æthelstan was a foundational figure.

Including the Æthelstan forgeries, Exeter Cathedral’s Library & Archives hold sixteen pre-Conquest charters – an exceptionally large number for a regional archive.

Between 13-31 May 2019 some of these charters, both forged and genuine, will be displayed in an exhibition held at Exeter Cathedral’s Library & Archives, titled Forging the Past in Medieval Exeter. The exhibition explores how and why the canons at the eleventh-century cathedral produced forgeries, placing their production in the context of changes within the bishopric and Viking invasions. Also displayed throughout the exhibition is the so-called ‘Golden Charter’ – a charter issued by King Æthelred ‘the Unready’ in 994 to the Bishop of Cornwall, in which the see’s privileges are defined and secured. While the contents of this charter are significant in themselves, the charter’s epithet comes from the fact that all its capital letters are covered in gold leaf. The charter is the oldest surviving golden single sheet charter from Anglo-Saxon England. This unique status led to the ‘Golden Charter’ being loaned to the British Library for the internationally acclaimed exhibition Anglo Saxon Kingdoms: Art, Word, War, held from October 2018 to February 2019.

Running alongside the exhibition are a series of public tours on Saturday 25, Monday 27 and Tuesday 28 May. These tours provide a unique opportunity to see some of the Archive’s Anglo-Saxon charters up close. They will explore the motivations of specific Exeter forgeries, as well as the dynamic life of these documents in the 1,000 years after they were written. These tours are free, but numbers are limited so booking is essential – please sign up for tickets here.

The month of forgery events is rounded off by Levi Roach’s public talk, ‘Fake founders and counterfeit claims: the forged documents of medieval Exeter’, held in the Cathedral Chapter House at 19.00 on Thursday 30 May. In this talk, as well as discussing the forgeries produced at Exeter during Bishop Leofric’s episcopacy, Levi will place these fake documents in their broader British and European contexts. Again, this event is free, but please do book your seat in advance here.

 

Dr Jennie England, researcher on AHRC-funded ‘Forging Memory’ project

 

River Hunting with the History Channel

The scorching summer of 2018 was a great gift for archaeologists. For the first time in almost two decades an unbroken dry spell brought features below the surface of the landscape clearly into view. These ‘parch marks’, visible only for as long as the weather holds, provide the very fullest evidence of the foundations of earthworks, buildings, roadways not only of a medieval date but reaching back across the whole timespan from the Industrial Revolution into pre-history.

Parch marks reveal lost buildings

It seemed counter-intuitive then to take a call from a TV researcher developing a new series devoted to underwater archaeology. In fact, there was good reason why The History Channel had chosen this moment to schedule the filming of their new series aiming to show that a stretch of inland waterway is as rich in hidden archaeology and history as any expanse of ocean. If not carrying quite the same decompression risk of diving the naval wrecks off the coastlines of Africa or Australia, you’d be best advised not to wade very far into the Avon, Severn or Ouse except when the rainwater table was at an all-time low. The series, River Hunters, takes its inspiration from the USA where searches of the waterways close to Civil War battlefields have uncovered some remarkable artefacts. Arguably the trend-setter is Beau Ouimette, whose self-produced shows on You Tube are on the brink of becoming a global phenomenon. Producers persuaded Beau to bring his unique brand of wading to Britain, to sift the course of some of our most historical significant watercourses.

Beau Ouimette

Beau’s passion is battlefield history and it was hardly surprising that his schedule should take in Tewkesbury, where tributaries of the Avon and the Severn frame the site of the Wars of the Roses battle where the Lancastrian cause was decisively defeated in 1471.

Tewkesbury’s medieval centre
King John’s bridge: Tewkesbury’s medieval river-crossing

Tewkesbury was not as large a battle as Towton (1461), seeing combined forces of no more than 10,000; nor did it bring a virtual blitzkrieg to the town as occurred at both the first (1455) and second (1461) battles of St Albans.

The 1471 battle of Tewkesbury, annually re-enacted in the town’s medieval festival

But it did represent no lesser watershed moment: the Lancastrian interest was all but destroyed. Leading Lancastrian nobility lay dead, among them, John Courtenay, earl of Devon, who had only just returned to the royalist fold. Henry VI was captured and then killed; his son and heir, Edward of Westminster, died in the melée; Henry’s queen, Margaret of Anjou, who had led his the cause for the best part of twenty years, was forced to return to France.

The river tributaries played a central and decisive role in the battle. They were the reason that battle was drawn at Tewkesbury: the Lancastrian army had hoped to cross the Severn at Gloucester but the Yorkist force stood in their way, so they had tried to pass ahead of them by pressing further north. When the Lancastrian battle-formation was broken and the Yorkists set about a rout, the remnant of King Henry’s force fled for the Severn bank knowing that if they crossed it they might fight another day. Most were cut down by the waterside, or were drowned. The battlefield also lay in the shadow of the Benedictine abbey of Tewkesbury its own precincts bordered by the same river tributaries. In the rout some struck out for the abbey, although for the Lancastrians the only sanctuary they found was a burial place on sacred ground.

Tewkesbury’s Benedictine abbey

So Beau and team came in search of both the Wars of the Roses and the monastic tradition. It was the last truly hot weekend of the summer and they waded into the Swilgate south of the abbey grounds with the excitement of a day at the seaside. Perhaps those Civil War sites are very willing with their secrets but here it was slow going. By the half-day mark, the low-lying murky water had offered up only some very eclectic signs of twentieth-century life: a roadworker’s lantern and a cache of printers’ letterpress type. Early afternoon took us no further back in time but gave us the basis for a narrative: a World War 2 era firewarden’s tin helmet, a testament to the six-year vigil that watched over the abbey tower.

The firewarden’s helmet

Predictably perhaps, it was only as the light finally began to fade, and even the ebullient Beau looked less than comfortable seven hours into his wet-suit, that the river offered a tantalising hint of medieval Tewkesbury. Pressed deep into a wedge of silt, the detector led to hand-worked pins and studs surrounding the remains of leather strips – straps? – of early date. Naturally, given it was now past 7pm, there was an immediate and unspoken agreement to interpret them as battlefield artefacts. An archer’s arm-guard: sure thing! For this monastic historian, it was the less romantic but (much) more plausible provenance of a block of dressed stone we also recovered that almost made the wait worthwhile.

The stone-block

Here there was evidence of the monastery’s development of water meadow south of their precinct, and perhaps of the fishery that fed the community, and kept them, more-or-less, within the letter of chapter 39 of their Rule, On the measure of food.

River Hunters

River Hunters is now showing on The History Channel, Mondays, @ 9pm.

James Clark

‘I was a Historian by the Age of Six…’ An Interview with Prof. Nicholas Orme

The Centre for Medieval Studies at Exeter hosts a lively programme of activities throughout the year, a number of which are only possible through the generous support of Emeritus Professor Nicholas Orme. Nicholas is a renowned and well respected scholar with expertise in the history of the medieval Church, education, and childhood. He is also well known for his local studies of the Southwest. This year, as part of the annual ‘Orme Day’ festivities, we invited Nicholas to tell us more about the origins of these interests and how they developed. He also explained how he first came to Exeter and why he continues to support our activities at the Centre.

Q. When did you start studying medieval history?

‘I was a historian by the age of six. I know this because, when I was at infant school, we had to write every day in a little book called a ‘newsbook’ and I wrote a story about a prince and a princess. But instead of ending it ‘…and they married and lived happily ever afterwards’, I said ‘they married, but then he died and his brother became king’. And the teacher wrote in the margin, “Oh, Nicholas, what a sad story”. But what I had realised at that age was that, unlike literature, history doesn’t stop. I had elder brothers who had history books at home and I must have read something like The Life of Henry V: Henry wins Agincourt, marries the king of France’s daughter, and then he dies – and it all changes. So history was there at a very, very early age.

But my ‘Damascus road’ moment came a lot later, when I was 20 and was in the vacation of my second year [at university]. My parents had retired to the Forest of Dean, which was a very run-down area in those days, and we had no car. I really found it a very depressing place to spend the vacation.

All Saints Church, Newland, Gloucs.

But my brother came over with a car and we went to a village called Newland. It’s a pretty village with an interesting church and when we were wandering round it, I saw a cottage gate which said on it ‘The Old Grammar School’. And I thought to myself, ‘why on earth should there be a grammar school in this village?’ In the history I had done hitherto, nobody had ever mentioned education. And on investigating this place, it turned out it was a medieval, fifteenth-century, grammar school foundation.’

Q. When did you start researching medieval schools in depth?

‘In my third year, I did a Special Subject on Richard II’s reign. Although I did labour very conscientiously on the political history, the thing that really got me was the discovery of collegiate churches. I knew about monasteries and one had done Bede, Cistercians and that sort of thing. But I suddenly realised that there were these things called collegiate churches, which were very commonly founded in the thirteenth, fourteenth and fifteenth centuries. They fascinate me because they are all sui generis – and I always find monks boring because they’re so uniform. I discovered that collegiate churches very often had schools, as well as hospitals, alms houses, and things – and that built on my personal discovery of Newland grammar school.

So when I was in my third year and wanted to do research, I went to see my tutor, Bruce McFarlane, saying I wanted to do something that combines national history and local history. I made three suggestions to him and, of the three I mentioned, he said schools would be the thing to do. And ever since I’ve enjoyed these two things: national and local history. I’ve never wanted to do local history that was entirely self-contained, because it’s the interplay of the general and the local that interests me. And, of course, you’ve got that with a school because you’ve got a curriculum that’s beyond the school itself. So when I became a postgrad, I started to work on schools and I did a thesis on schools in the West of England, based on Gloucestershire.’

A medieval schoolroom – and the cover image for Nicholas’ book on ‘Medieval Schools’ (Yale, 2006)

Q. When did you come to Exeter?

‘In the summer term of my second year of research, my supervisor stopped me in the quad and said that Exeter was looking for a one-year appointment. What had happened was that they hadn’t had any applicants – or one or two very poor ones! Bertram Wolffe, who was at Exeter then, was a pupil of my supervisor and had written to him asking if he had anybody suitable. So I said to Bruce McFarlane, “do you think it would help with my CV?” And he said, “yes, it would because you’ll get a year’s teaching experience and that will stand you in good stead for getting a permanent job”. They advertised the post as half-teaching, half-research – but it turned out not to be that at all, as you might imagine!

I was very lucky while I was here because three [permanent] posts came up. They had a very small number of applicants for the three jobs to the extent that one of them had to be filled with a temporary chap so that they could have a look at him before they decided whether to keep him on. But I was one of the other two who came in, so I was very lucky.’

Q. When did you start to become interested in medieval Devon?

‘It wasn’t for a long time that I got into Devon. First of all, I wrote a book and it took me an awful long time. It is difficult when you start teaching, isn’t it? Writing your courses… For the first few years I was just doing the courses and the teaching all year. I only did the research in the vacation so I didn’t get the DPhil for five years after I started here, which wouldn’t be allowed now. And then it took me another four years to publish it, because it needed a lot more work to turn it into a book. I’d been here nine years before my book came out, which, again, wouldn’t be allowed nowadays! And then what I couldn’t publish from the thesis in the book, I put into a second book on the West of England. And that’s when I decided I had to get up on Dorset, Devon and Cornwall – and came to realise that the Cathedral archives had wonderful stuff. Then I started to work on that and got involved in the locality.’

Q. Why did you decide to support medieval studies at Exeter?

‘When I left [the history department] I was not replaced, which annoyed me. There were only two medievalists left: Sarah Hamilton and Julia Crick. So I thought, they need some support, we need to keep medieval history alive. So I said to Simon Barton [then in Modern Languages], “would you like to have the resources to bring in a special lecturer?” The idea was it should somehow fire people up, both students and the general public – although it’s obviously difficult to get somebody who relates to both. But we have managed quite well over the years – we had a very good one on Magna Carta, for example. And I have got a bit of spare money and I don’t want to give it to my Oxford college, which has got far too much, and plenty of other donors. I’d much rather it came down here where it can be useful.’

Saintly Monarchs and Cities of Strangers at the Annual ‘Orme Day’

The Centre for Medieval Studies here at Exeter is well-known for its sense of community, and for the value it places on the exchange of ideas in an informal and relaxed setting. One of the key events in our research year, the annual Orme Day, aims to achieve exactly that with a postgraduate symposium followed by the Nicholas Orme lecture, a public lecture on medieval studies by a visiting speaker. This year’s event – affectionately known as the ‘Feast of Orme’ – took place on Tuesday 12th March. After the unfortunate disruption to last year’s event caused by industrial action, we were delighted to be able to run the event in its traditional format once again.

The day began shortly after lunch, with a series of 20-minute presentations from current postgraduate students. The topics of these presentations reflected the wide range of research undertaken at the Centre. Philip Wallinder’s talk, ‘Apocryphal? Who, Me?’, examined John Trevisa‘s approach to translating the Gospel of Nicodemus into Middle English and was informed by both translation theory and the close-reading of Latin and Middle English texts. Trevisa’s concordance of several distinct calendar systems and his use of intertextuality offered fruitful topics for discussion, as Philip drew on texts from St. Jerome’s Chronicon to recent editions of the Latin Nicodemus to illustrate the relationship between the Middle English ‘Nicodemus’ and its sources.

Q&A for the speakers (standing), under the watchful eye of Prof. Orme

By contrast, Ekaterina Novokhatko, a visiting PhD student and member of the HERA After Empire project, focused on more geographical questions in her presentation. She outlined her attempts to map the spread of martyrological texts (and their attendant communication networks) in eleventh-century Europe. Her talk showed how Catalonia functioned as a zone of contact, within which French interest in the life of St. Gerald met the northern Italian focus on St. Alexius; using mapping tools, she neatly illustrated how these two ‘models of the layman saint’ circulated together in the area in which a contemporary pope, Silvester II, had studied in his youth.

There was a similar saintly focus to Henry Marsh‘s talk, albeit in a less conventional sense: Henry explored the Gesta Henrici Quinti (1413-16), a text that has typically been interpreted as a paean to his namesake’s celebrated martial prowess. Henry, however, focused squarely on those readings that emphasise the almost-hagiographic elements of the text, arguing that in order to grasp the anonymous author’s full understanding of the king, it is necessary to acknowledge those readings that look beyond the commonly-cited sources of chivalric texts and to consider the Gesta as a response to challenges posed both by France and by Lollardy. The text, Henry noted, frames the King’s physical struggles as spiritual struggles, down-playing traditional ‘hack-and-slash’ romance-inspired elements and aligning the monarch, perhaps counterintuitively, with saints who had faced off against temporal power. While the Gesta might be useful for analysing myth-making, Henry suggested, it is equally important to ask precisely which myths its author was attempting to create.

Following a short break, the gaggle of medievalists reassembled in the plush surroundings of the Business School for the keynote Orme Lecture, delivered by the inimitable Miri Rubin. Prof. Rubin’s talk concerned urban societies in the Middle Ages and was entitled ‘(Italian) Cities of Strangers: Some Ways Medieval Cities Thought About Their Diversity’. As she explained, this topic was just one of many that would have paid tribute to the work of Nicholas Orme, but it was probably the most effective in allowing the assembled audience to engage with the ‘search for the human’ that has been at the heart of his research.

Prof. Miri Rubin giving the annual Orme Lecture

Over the course of her lecture, Prof. Rubin examined attitudes to ‘strangers’ and ‘foreigners’ in medieval Italy and beyond, charting how the ‘Great Transformation’ of the fourteenth century led to a shift in views on non-locals. Thinkers and legal theorists, she stressed, increasingly moved away from ‘pathways to citizenship’ and embraced a ‘rhetoric of exclusion’. Her startling final slide – showing a post-Black-Death ‘ideal’ city as one that appeared to be empty – left us all with plenty to think about. It was a talk that talk invited comparisons with contemporary attitudes towards immigration and integration, and stressed the complex relationship between medieval and modern attitudes to the ‘other’.

It certainly was a fascinating and stimulating day for all involved, and a reminder of the vitality and vision that characterise the Centre for Medieval Studies’ research community. The Centre would like to thank all of those involved in planning, organising and contributing to the event, from postgraduates to our keynote speaker; in particular, however, we would like to show our appreciation for Nicholas Orme, whose generous funding of the lecture series allows us to invite many of the leading lights of contemporary medieval studies to challenge, inspire, and invigorate us all.

Ed Mills, PhD student

The Routledge History of Medieval Magic: Reflections on a Big Editing Project

I’m very pleased to announce that the Routledge History of Medieval Magic, edited by Sophie Page (UCL) and me, has been published.

As editors we’re very happy with it and we hope others will be too.  Seeing it in print has prompted me to reflect back on the process of editing such a large volume over several years. We started the planning back in 2013, when the publishers Ashgate approached Sophie about editing a volume on magic for their Research Companions series. (As some of you may know Ashgate was later taken over by Routledge, so it’s now a Routledge Histories volume.)  Sophie asked me if I was interested in sharing the editing and, thinking that this would be an interesting way to get up to speed on the field, I said yes.

Planning the volume, we were clear that we didn’t want to produce a survey of the history of medieval magic. We knew of several other history of magic surveys which had substantial medieval sections and were either recently published or in the pipeline. Instead we wanted to produce a guide to researching in the field. The study of medieval magic has grown very rapidly since the 1990s and we felt there was a need for a volume that outlined the new developments and highlighted possible future directions that research could take. We also wanted some methodological reflections: how can (or should) medievalists define magic? Sophie’s idea here was to get several short pieces from scholars with very different approaches, and ask them to comment on one another.

Together we drew up a rather long wish-list of possible contributors. Here it was good to have a co-editor since we were able to pool our expertise and lists of contacts. Sophie works on magical texts and knew exactly who was doing interesting work in this area, while I had a better knowledge of scholarship on the Church, condemnations of magic, and the rise of witchcraft stereotypes. We also thought about our own contributions: I remember sitting in the British Library café with Sophie saying ‘We should have a chapter on gender and it should cover this, and this, and this…’ so that became mine.

Once the publisher had accepted our proposal we wrote to our entire wish-list. Gratifyingly, many of them said yes – more, in fact, than I had expected. This made it a very large volume, with a total of 35 chapters, and that brought some logistical challenges. Our authors worked very hard and were exceedingly patient, but it took considerable time to liaise with that many people, comment on drafts, sort out images, etc, and we needed to be a bit flexible about deadlines, since the contributors were also busy with many other projects.  All this meant that the volume took rather longer than planned, especially when we had to factor in my and Sophie’s other commitments to funded projects, other publications, and a period of maternity leave.  Routledge were very patient, and so too were the authors who submitted chapters early on in the project – and we are very grateful for that.  My advice to anyone considering a large editing project like this would be not to underestimate the time involved, or the need for a long (and, to a degree, flexible) timescale!

Nonetheless I am very glad we did it. We have managed to be very comprehensive in terms of the people working in the field, ranging from recent PhDs to senior scholars, and taking in contributors from the UK, continental Europe, and North America. I am also pleased about the range of angles we have managed to cover – thinking about concepts and definitions of magic, magical texts, authors, themes, and condemnations of magic. The book has certainly inspired me to think about where I want to go next!

Catherine Rider, Associate Professor in Medieval History

Announcing a New Project: Warhorse: The Archaeology of a Military Revolution?

We’re happy to announce that the new Warhorse project in Archaeology, led by Prof. Oliver Creighton, now has a website and blog up and running.

‘Warhorse: the Archaeology of a Military Revolution?’ is a three-year project funded by the Arts and Humanities Research Council.  For the project the team of archaeologists and historians will be conducting the first ever integrated and systematic study of that most characteristic beast of the Middle Ages — the warhorse.  As well as being a famed weapon of war, the medieval horse was an unmistakable symbol of elite social status closely bound up with the development of knighthood, chivalry and aristocratic culture. Crucially, in developing a new archaeological approach to the subject, the project hopes to add something different and distinctive to our understanding of horses but also, by extension, to speak to some of these other intriguing and much-debated topics.

For the first post on the project blog, see here.  Please do have a look and follow it over what should be an exciting few years.

Oliver Creighton, Archaeology

 

Two Exeter books shortlisted for 2019 Current Archaeology Awards

We’re pleased to announce that two books with medieval themes written by Exeter academics have been shortlisted for the 2019 Current Archaeology Awards, in the ‘Book of the Year’ category – see here. Nick Holder (Honorary Research Fellow, History, and English Heritage) has The Friaries of Medieval London, a survey of these important religious houses; Professor Stephen Rippon (Archaeology) has Kingdom, Civitas and County, an examination of the longue durée of British landscape.  Do have a look at the eight nominations and perhaps vote for one of the two Exeter books, or for one of the other excellent books on the shortlist. Voting closes on 11 February 2019 so don’t delay!

Nick Holder writes about his book: “As a crossover historian-archaeologist I set out to write a book about the lost religious landscape of medieval London. On the face of it the subject wasn’t very promising: there are very few documents surviving from the friaries’ archives and there’s barely a friary wall surviving above ground in London. But with some patient searching in traditional archives such as The National Archives at Kew, and in newer institutions such as the London Archaeological Archive of the Museum of London, I was able to piece together a substantial body of evidence about what the friaries looked like and how the friars used their London bases. I also asked four colleagues to help me out in the areas where they had particular expertise: Ian Betts (floor tiles), Jens Röhrkasten (spiritual life), Mark Samuel (architectural fragments) and Christian Steer (burials). We try to move beyond the ‘local history’ of London and consider wider themes such as the way that the mendicant orders seem to reinvent themselves as more traditional monastic orders after the shock of the Second Council of Lyon in 1274, which, in effect, closed down several small religious groups.”

Stephen Rippon writes about his nomination: “Too much research is constrained by traditional periodization, and this inhibits our understanding of the past. In Kingdom, Civitas, and County I have therefore taken one topic – the development of territorial organisation within the landscape – and mapped this across three periods that have traditionally been studied quite separately: the Iron Age, Roman, and early medieval periods. I hope that I show far greater continuities within the landscape than have been previously identified, which mean that our countryside of today has roots that go back several millennia.”

Best of luck to both!

Fifteenth Century Conference 2019: Calling Academics and PhD Students with 15th-Century Interests

Exeter will be hosting the Fifteenth Century Conference this September, an annual conference for anyone with interests in the Fifteenth Century. This has come about mainly because of the hard work of PhD student Des Atkinson, assisted by me, James Clark, Eddie Jones and our Hon Research Fellow Jonathan Hughes.  The theme will be ‘England and Mainland Europe in the Fifteenth Century’, which we’re interpreting very broadly to include a range of topics and disciplines.  I’ve posted the call for papers below. If you have fifteenth-century interest please consider sending in an abstract, and please also draw other people’s attention to it.

Catherine Rider, Director, Centre for Medieval Studies

Call For Papers: Fifteenth Century Conference, University of Exeter, 5th-7th September, 2019

England and mainland Europe in the fifteenth century

Poggio Bracciolini, the Tuscan Papal Secretary, after meeting Henry Beaufort at the Council of Constance, followed the bishop of Winchester to England to serve as his Latin secretary between 1419 and February 1423. Poggio was critical of the English climate and the preoccupation of English bishops with politics at the expense of learning, and during this period he offered the following assessment of this country in a letter to the Florentine humanist Niccolo de Niccoli:

‘I began travelling with my lord; but there was no great pleasure in the travelling, since I could find no books. Monasteries here are very rich but of new foundation; they have been built no more than four hundred years ago. If older ones survive they have no secular books, but are full of the most recent works of the doctors of the church and especially the ecclesiastics. I also saw carefully compiled inventories in which there was nothing of worth of humanist studies. And nothing interesting indeed.’

Poggio Bracciolini, Lettere, vol. I, ed. H. Harth (Firenze, Olschki, 1984), translated in A. Petrina, Cultural Politics in Fifteenth-Century England: The Case of Humphrey, Duke of Gloucester (2004), p. 62.

Poggio’s dismissal of English intellectual culture points to a wide range of interactions between fifteenth-century England and its neighbours in continental Europe, and it raises many questions that have interested scholars in recent years. What was the nature of interaction between England and continental Europe? What kinds of exchange (political, economic, cultural) took place, when, and how? What was the role of courts, cities, and the Church, as well as individuals, in this process?  How was England perceived elsewhere in Europe, and how did the English perceive Europe and the wider world in their turn?  How did cultural and intellectual exchange with continental Europe interact with the growing body of vernacular writing, in many genres, being produced in England, and with local and national senses of identity?

At a time when this country’s relationship with Europe is once again uncertain it seems appropriate to use Poggio’s comments to host a conference that considers this same question during another period of doubt and transition. This conference aims to address, however broadly, the different ways in which the late medieval kingdom of England could be considered in religious, political, social, economic and cultural terms as either a part of Europe, or apart from Europe – a nation with a separate identity.

This year’s Fifteenth Century Conference will be hosted by the University of Exeter, which is home to a community of late medievalists across several disciplines. We welcome papers from scholars at all career stages from PhD students to established academics, on any theme connected to this subject, from any discipline working on the fifteenth century.  This may include, but is not limited to, papers on local, national and European identities and myths; cultural exchange; the transmission of knowledge (including vernacular culture); political, social and intellectual networks; trade; the Church; heresy; social unrest; travel and perceptions of the wider world.

Please submit abstracts of up to 200 words, and a short biography, to Professor Catherine Rider (Director, Centre for Medieval Studies, University of Exeter) at c.r.rider@exeter.ac.uk by 28th February 2019.

 

Research Postcard: An Exeter Life of Thomas Becket

John Grandisson, the bishop who presided at Exeter in the turbulent middle years of the fourteenth century – the age of the papacy’s Avignon exile, the Black Death and the bloodiest battles of the Hundred Years War – has long been celebrated as a man of learning whose love of books brought some of the finest illuminated manuscripts into the Cathedral Library. He left his mark – that is to say, his ownership inscription and many marginal notes, underlines, comments and corrections – on a wide variety of books, including those still at Exeter.

Grandisson’s family arms as the frontispiece to his psalter

Yet surprisingly there is only one text that is attributed to him as his own work. Oxford, Bodleian Library MS 493 (fos. 1r-50v) contains a Latin life of Thomas Becket which is described in its original red-ink rubric as having been curated usefully and historically (compendiose et historice…collette) by John de Grandisson, bishop of Exon. Arranged in four parts, the text narrates the martyr’s progress from birth to death and canonisation, from the city of London which he honoured (decoravit) as his family home, to his final reward from Pope Alexander III of his name being added to the catalogue of martyrs (martyrum cathologo addendum decrevit), after which his feast was always celebrated. As the colophon acknowledges, the life is not an original composition. The text is founded on the Quadrilogus, the composite life of the archbishop first compiled by Brother E – his name may have been Elias – a monk of the Benedictine abbey of Evesham, which attempted at a synthesis of the accounts of Becket’s chapter colleagues at Canterbury, William and Alan of Tewkesbury, and his friends, Herbert of Bosham and John of Salisbury.

Becket’s murder as depicted in a ceiling boss at Exeter Cathedral

The cult of saints was the meeting-point of Grandisson’s interests as a prelate and a scholar: it was a means of stability and spiritual nourishment for the faithful facing the uncertainty of present times; for church and clergy it was a link with an illustrious past and a source of inspiration. Perhaps his greatest gift to his cathedral was a vast, two-volume Legendary which drew together the narratives for the feasts celebrated throughout the year. His Becket life appears to have been an early step towards this project, possibly compiled in his first decade at Exeter, or even before. He made reference to it in an exchange with his old master and mentor, Jacques Fournier, who ended his career as the Avignon Pope Benedict XII and died in 1342.

The tomb of Pope Benedict XII, Grandisson’s mentor
William de Tracy’s grant of Doccombe to Canterbury, dated after 21 February 1173

It is conceivable that his compilation passed into Curial circles: a Vatican manuscript of the fifteenth century (BAV Lat. 1221, fos. 1r-27v) contains an anonymous account of Becket’s life that opens with the same incipit. There was a confirmed copy in Italy in 1492, recorded in the inventory of the library of the English College at Rome. Surely Grandisson first turned his attention to Becket because of his place in the history of the church in England but at Exeter he can scarcely have been unaware of the special resonance of the story in the western diocese. William de Tracy, one of the four assassins of the archbishop, was baron of Bradninch and lord of the manor of Moretonhampstead. His Devon lands were the focus of his penitential gift to the monks of Christ Church, Canterbury: Doccombe and adjoining lands to the value of 100s were presented to the Cathedral Priory in c. 1173. He requested commemorative masses for himself and for the new saint he had inadvertently created.

James Clark

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