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This term I am based at Wesleyan University in Middletown, CT, working with the Traveler’s Lab research group. The Traveler’s Lab is a small network of scholars interested in medieval mobility and communication, and in using new digital analytical methods to explore medieval data. It is also distinctive – in the Humanities, at least! – in its use of undergraduate students as active researchers.
The Lab was founded by Gary Shaw (Wesleyan), Jesse Torgerson (Wesleyan) and Adam Franklin-Lyons (Marlboro College). I met Adam and Jesse at major medieval congresses in 2015 and 2016, and then had coffee with Gary at the British Library while he was in London on a research trip last year. The timing was fortunate: I was looking for potential members for a network on medieval news, while they were forming a group to explore the movement of information and people in the Middle Ages. We were also all interested in experimenting with new digital techniques – partly just to see what they could do! Having been vetted fully, they were happy to let me join them, even though it was unclear how this collaboration would work in practice. Not only am I usually based several time zones away, but we also make rather a diverse group: Gary, our reluctant leader, focuses on late medieval England; Jesse is a specialist in ninth-century Byzantium; Adam works on Aragon in the thirteenth and fourteenth centuries; and I’m interested in twelfth and early thirteenth-century Britain. Indeed, until this term, this collaboration had been more prospective than real. However, the granting of research leave from Exeter has allowed me to relocate to Middletown for three months and to work closely with the Lab during their Fall Semester. I’ve also been lucky enough to be affiliated with the Wesleyan’s Center for the Humanities (CFH), which has provided both office space and research resources – as well as a lively research environment.
What makes the Lab so distinctive is its close co-operation with Wesleyan’s Quantitative Analysis Centre (QAC). Not only is this helping to support much of the Lab’s activity in terms of resources and student internships, but it also allows us to work closely with Pavel Oleinikov and his undergraduate students, who specialise in quantitative and digital analysis. This is a collaborative venture which allows for problem-solving and research development on both sides. Although the medievalists design and run the projects, the students and staff working with us use their own expertise to visualise and analyse the data – and this can take the project in new directions and raise important, new research questions. The fuzzy (sometimes very fuzzy…) nature of our data also poses interesting challenges for our QAC members.
Being based in Wesleyan this term has allowed me to be an active member of the Lab and to understand much more fully how the ‘lab’ model operates. I’ve been allocated a small group of undergraduate students to help me with a side project on Caesarius of Heisterbach and his social network. Two of the students are helping me to create and check a new database of Caesarius’ interactions, one student is using network analysis to visualise this data, and another student is mapping aspects of this network on the landscape. Two of the students are working for university credit, while the others are paid interns supported by the QAC and the CFH. The Lab also hosts regular Lab lunches, in which we discuss new ways of analysing data and trouble-shoot problems. These lunches are important as they help to make the Lab into a research community rather than simply students working with individual staff members on separate projects.
During my time here I’ve learnt a lot about the challenges of project management and the more technical aspects of working with and storing data. I now intend to use this experience to create something similar at Exeter in association with our new Digital Humanities Lab. However, transferring this approach is not going to be straightforward. It should, hopefully, be possible to set up some student internships through the College of Humanities to work on short-term projects, but it’s unlikely that other funding will be available. Likewise, the much less flexible system of credits and assessment in the UK means that it will be difficult to integrate this model into Exeter’s taught modules.
Having said this, digital approaches are the way forward and will become standard parts of the medievalist’s research toolkit in the near future. This means that we need to think seriously about developing these skills and collaborative partnerships sooner rather than later. Digital techniques certainly won’t replace traditional research methods, not least because the nature of our source material means that only some of it can be converted into meaningful datasets. However, we do need to be aware of what techniques are available and how they might be used alongside tried-and-tested qualitative approaches.
The sheer array of digital analysis possible was brought home to me this weekend at the Social Science History Association conference in Montreal. I was present as part of a session organised by the Lab, in which Gary, Adam and I presented work that had been produced in collaboration with our student researchers. Although ours was the only medieval panel, the questions raised concerning the organisation, visualisation and sharing of data all suggested ways that we could develop our research – both individually and as part of a bigger collaborative Lab project in the future. Particularly interesting were presentations by Ian Gregory (University of Lancaster), who has been developing new ways of analysing and visualising texts, and Anne Knowles (University of Maine), an expert in Historical GIS whose Holocaust Geographies project is pushing her away from maps and towards new, more abstract and expressive ways of presenting this data. It has to be said that the conference itself was a somewhat different experience to the standard medieval congress, not least in the longer sessions, more intense timetable, and the serious lack of coffee. However, as a way of finding out how other disciplines are operating in this new digital world – and how we, as medievalists, may be lagging behind – it was invaluable.
Helen Birkett, Lecturer in Medieval History
The Medieval Research Seminar has been particularly active of late. Hot on the heels of Anne Lawrence-Mathers’ fascinating discussion of medieval magic and Sarah Hamilton’s insight into reading and understanding rites, we were very fortunate to play host, on 10 March, to Miriam Cabré. Miriam works at the Universitat de Girona, Catalonia, and has published widely on courtly cultures of medieval Occitania and on the troubadours more broadly. Miriam’s presentation was entitled ‘Literary landscapes and real itineraries: The reasons for mapping the troubadours’. Her paper offered an insight into her latest project, which explores the role played by the troubadours in a broader pan-European culture, while focusing specifically on one particular aspect of her research: attempts to ‘map’ the networks of production and patronage of these works and poets in the twelfth and thirteenth centuries.
Maps, as Cabré noted, are powerful tools in the hands of literary scholars, and have formed the front-matter of many an introductory text on the subject of troubadours. The production and use of any map, however, is fraught with implicit choices, which can have an important impact on how the works that they accompany are represented. Should the ‘boundaries’ of the map, for instance, represent borders of a linguistic or a political variety? In the context of the troubadours, how should maps represent the relative political importance of individual regions, or individual courts? Many maps (re)produced as front matter to troubadour anthologies ignore Catalonia entirely, and focus totally on the south of modern-day France: what is gained (or lost) through this decision?
Cabré outlined some of the opportunities that her project presents, particularly in emphasising the role of Catalan courts within the broader realm of Occitania. The map being produced by her team, she explained, will be digital: built from the ground up, it will use dynamic ‘layers’ to represent the movements of the troubadours’ courtly patrons, the activity of individual troubadours themselves, and key topographical features as they affected movement and literary production. Miriam offered an advance ‘sneak peek’ of some early builds of her map, demonstrating how useful it will be in visualising the itineraries and disparate geographical references implicit in works by troubadours such as Guillem de Berguedà. She presented an extract from Guillem’s Be·m volria q’om saupes dir (‘I wish someone would tell me …’), replete with place-names, as a particularly compelling example of the insights that this kind of mapping can offer:
Ja·N Ponz Ugz no·s lais adurmir,
qe segurs es q’om li deman
Rochamaura, qe fai bastir,
e la forza de Carmenzon;
e·ls murs q’a faitz a massa gran
lo reis los fara desrochar,
e·ls vals de Castellon razar.
[‘Let Sir Pons Uc not slumber, / For it is certain he will be asked to hand over / Rocamaura, which he had built, / And the stronghold of Carmenzon; / And the king will tear down / The thick walls walls he has had built / And raze the valley of Castellon.’]
Maps, as recent endeavours such as Medieval Francophone Literary Cultures Outside France have shown, can be powerful tools in helping researchers to appreciate the physicality of the literatures that we study. As Cabré’s Troubadours and European Identity: The Role of Catalan Courts project will aim to demonstrate, maps remind us that texts such as those contained in troubadour chansonniers were, ultimately, products of a particular time and place, composed in the context of specific geopolitical events. As Miriam herself explained, the broad scope of her project is reflected in the composition of the project team, which includes specialists in multiple disciplines and benefits from a healthy variety of approaches. The intersection between disciplines of ‘medieval studies’ was reflected in the audience for the talk itself, which boasted a healthy attendance of both literary scholars and historians.
All of us at the Centre for Medieval Studies would like to offer our thanks to Miriam for a fascinating and thought-provoking presentation, which certainly gave us all an opportunity to reflect on the potential of digital and multidisciplinary approaches for our own research. Miriam’s visit was organised by Dr. Thomas Hinton, a lecturer in French at Exeter who himself specialises in medieval Occitan (and who, in the true spirit of interdisciplinary, provided the translations for this blog post).
Edwards Mills, PhD student