University of Exeter Library Resource Guide

https://libguides.exeter.ac.uk/archives/esotericism-magical-tradition

“This resource guide is based on a reading list for a seminar (ARAM251) created by Dr James Downs, and provides an overview of resources held by the University of Exeter’s Special Collections and the Bill Douglas Cinema Museum that relate to esotericism and the magical tradition.”

Explore titles related to “Ancient and Arabic Sources,” “Rites and Rituals,” “Meanings of Belief,” “Westcountry Witchcraft and Folklore,” and “From the Enlightenment to the Victorian Occult Revival.”

The Sorcerer’s Handbook: Dirt from the crossroads in the 13th-century

November 28th 6-8 PM Royal Albert Memorial Museum in Exeter

FREE AND OPEN TO THE PUBLIC

Register here: https://www.eventbrite.co.uk/e/the-sorcerers-handbook-dirt-from-the-crossroads-in-the-13th-century-tickets-462520740987

A sheep heart full of pins, a graveyard at midnight, a contract with Satan signed in a magic circle: these are the stereotypical images of magic found in folk-horror depictions of European witchcraft and sorcery. This presentation will find them in a collection of magical texts attributed to an influential scholar of the Arabic language, Sirāj al-Dīn al-Sakkākī (d. 1229 CE). Written in western Iran in the early days of the Mongol conquest, Sakkākī’s Book of the Complete (Kitāb al-Shāmil) stands at a magical crossroads, and creates a meeting point of cultures: a place from which to learn about the globally entangled Middle Ages, and the West’s profound debt to Arab and Islamic culture. The presentation will also link the contents of this Arabic grimoire to the RAMM’s own collection of magical artifacts.

Free entry, drinks and food

After-hours access to museum exhibits and special items from the archives

The Marks We Leave: Devotion, Damage and Debauchery in Sacred Spaces

Being Human Café in Bristol to discuss the use of spiritual spaces – both natural and constructed – throughout history.

Date and time

Sat, 12 November 2022, 15:00 – 17:00 GMT

Location

The Old Fish Market, Bristol 59-63 Baldwin Street Bristol BS1 1QZ

Register for free here: https://www.eventbrite.co.uk/e/the-marks-we-leave-devotion-damage-and-debauchery-in-sacred-spaces-tickets-421234272047?fbclid=IwAR1mVliWUltL1E55EtB7YBVRufjacZwrUr8ouXvuBh4oHG5Np1xno2UoGgI

“This café will start with a discussion of how spiritual interactions with physical spaces clash with our expectations of those spaces, followed by a group Q&A involving the audience.

This discussion will cover graffiti in churches, rubbish at Stonehenge, whether vampires can really enter churches, and more! During the café, we’ll think about how we use spiritual spaces, and what the boundary is between the sacred and the mundane in the past and in the present.

This promises to be a fascinating event for those who are interested in church history, environmental issues, and heritage!”

Curating Magic, British Art Network

https://britishartnetwork.org.uk/event/curating-magic-october-2022/

The organisers for this event are currently inviting calls for papers.

Seminar exploring magic as content, theory and/or practice in exhibition making Saturday, 29th October 2022 | day-time BST (online)

Magic ‘… the means of approaching the unknown by other ways than those of science or religion.’ (Max Ernst, 1946)

“Inspired by exhibitions such as The Dark Monarch: Magic and Modernity in British Art (Tate St Ives, 2009/2010), Enchanted Modernities: Mysticism, Landscape, and the American West (Nora Eccles Harrison Museum of Art, 2014), Spellbound: Magic, Ritual & Witchcraft (Ashmolean, 2018/2019) and most recently Surrealism and Magic: Enchanted Modernity (Peggy Guggenheim Collection and Museum Barberini, 2022), as well as recent publications including Magic, the latest of the Whitechapel’s Documents of Contemporary Art (2021, edited by Jamie Sutcliffe), this call for papers encourages research on the ways in which magical thought and practice are central to art and culture. It considers how magic’s continued importance as counter-cultural force and epistemological strategy might be reflected in art, art history and curation, and hopes to reappraise how occultism and magic might be reflected not only in the content of an exhibition but how they might, in turn, inform curatorial practice itself.

This seminar is organised by Helen Bremm (Doctoral researcher, University of Cambridge), Tor Scott (Collection & Research Assistant, National Galleries of Scotland) and Emma Sharples (AHRC-funded collaborative doctoral researcher with Tate and the University of Cambridge)”

Societas Magica Conference Sessions

MAGIC UN/DISCIPLINED
International Conference, Societas Magica
University of South Carolina, September 2-4, 2022
Hybrid format

Showcasing recent cross-cultural and interdisciplinary advances in the history and anthropology of “magic,” this international conference will provide a forum for wide-ranging conversations on this often embattled but perennially vital category and its myriad deployments over time, space and genre. What is it, how does it work, how does it look, how does it feel, what does it mean, and to whom?

“Magic Un/disciplined” pays special attention to communities and generic forms that are typically underrepresented in scholarship, with emphasis on new alternatives to still-endemic colonialist approaches underlying both the study of particular traditions and of the history of religion, magic and science as distinct disciplines. Its format reflects these commitments: in lieu of a keynote, the conference will open with a roundtable discussion on the state of the discipline(s), past and present; it will close with one on the future of the study of magic.

More generally, roundtables and panels will highlight the work of emerging and under-represented scholars in the field, very broadly construed, considering where we have been and imagining where we ought to go from here. To foster such constructive conversations, there will be no parallel sessions, and the program will be as culturally, historically, and disciplinarily inclusive as possible. All participants, in short, are invited to meditate on the current shape of magic studies—then imagine, or re-imagine, its futures.

For more information on topics and logistics, please see the Societas Magica Newsletter available in the “Newsletters” tab.

Please send abstracts or proposals for full sessions simultaneously to Matt Melvin-Koushki at mmelvink@sc.edu and Marla Segol at marla.segol@gmail.com by July 15, 2022.

Feminine power: the divine to the demonic

British Museum Exhibition

19 May – 25 September 2022

https://www.britishmuseum.org/exhibitions/feminine-power-divine-demonic

“The first exhibition of its kind, Feminine power takes a cross-cultural look at the profound influence of female spiritual beings within global religion and faith.

Explore the significant role that goddesses, demons, witches, spirits and saints have played – and continue to play – in shaping our understanding of the world.

How do different traditions view femininity? How has female authority been perceived in ancient cultures? For insights, the exhibition looks to divine and demonic figures feared and revered for over 5,000 years. From wisdom, passion and desire, to war, justice and mercy, the diverse expression of female spiritual powers around the world prompts us to reflect on how we perceive femininity and gender identity today.

Worship of Pele, the Hawaiian goddess of volcanoes, reveals how her destructive capacity is venerated alongside her ability to create. The Buddhist bodhisattva of compassion, who transcends gender and is visualised in male form in Tibet and female in China and Japan, uncovers the importance of gender fluidity in some spiritual traditions. And the terrifying Hindu goddess Kali, depicted in art carrying a severed head and bloodied sword, is honoured as the Great Mother and liberator from fear and ignorance.

Enhanced by engagement with contemporary worshippers, faith communities and insights from high-profile collaborators Leyla Hussein, Mary Beard, Elizabeth Day, Rabia Siddique and Deborah Frances-White, the exhibition considers the influence of female spiritual power and what femininity means today.

Bringing together sculptures, sacred objects and artworks from the ancient world to today, and from six continents, the exhibition highlights the many faces of feminine power – ferocious, beautiful, creative or hell-bent – and its seismic influence throughout time.”

Law, Politics, and Magic in Islam: The Strange Case of Mirza Muhammad Nishaburi

University of Exeter’s Professor Rob Gleaves in a presentation to the Department of Classics & Religion UCalgary

https://www.youtube.com/watch?v=ilyAlJjGDDA&t=2s

“Magic (and occult practice more widely) has held a debated position in Islamic law and theology. For some Muslim thinkers, the practice of magic is unequivocally condemned as unislamic, or heretical, or a sign of the magician’s unbelief. For others, there is a recognition of “good” and “bad” magic: the former becomes part of the accepted operations of community life, and the latter is to be controlled and ultimately punished. Aside from this ethico-legal evaluation, there is a more practical discussion – does magic actually work, or is it simply fakery? The two principal discussions – the ethico-legal and the practical – do not easily map onto one another. There were, for instance, those who considered magic bad but dangerous (because it is actually works), and those who considered magic bad because it is ultimately a charade aimed at deceiving the people. The discussion around magic intersected with politics since Muslim rulers (from the medieval period to the present day) have often enthusiastically employed occult practitioners (astrologers, soothsayers and others) in their court circles. In this paper, I introduce the general contours of the debate within Islamic legal thought around magical practice, and explore their implications through a case study of controversial scholar magician – Mirza Muhammad Nisaburi (d.1818). Mirza Muhammad came from India to study in the Shiite seminaries of Iraq and Iran, made many enemies amongst the scholars (ulama) by insulting nearly everybody, and tried to ingratiate himself with the authorities by performing magic in exchange for political influence. His colourful life exemplifies how law, politics and magic are intertwined in the Islamic intellectual tradition.

Rob Gleave is Professor of Arabic Studies and director of two research centres at the University of Exeter, UK: the Centre for the Study of Islam (CSI), and the International Institute for Cultural Enquiry (IICE). He is Principal Investigator on the Law, Authority and Learning in Imami Shi’ite Islam, a 5-year Advanced Award from the European Research Council. His research interests include Islamic legal theory, particularly legal hermeneutics, and the history of Shi’ite legal thought and institutions. Click here to see his principal publications. Amongst his most recent publications are the three-volume series on Violence in Islamic Thought published by Edinburgh University Press.”

The Witch of Edmonton: A Known True Story

LIVE online | 5 -20 March 2022

https://creationtheatre.co.uk/the-witch-of-edmonton/#1634803979184-feeffcd6-1027

“If every poor old Woman be trod on thus, reviled, kicked, beaten, as I am daily, she to be revenged had need turn Witch.”

In Edmonton, the cattle are dying. The corn will not grow. A local man stabs his wife. A local woman runs mad. A black dog is heard to speak with the voice of the devil. Is the village cursed? And could a strange old woman who lives alone be to blame?

400 years ago, Elizabeth Sawyer was tried and hanged for witchcraft. Now, Creation Theatre invites you to be her judge. Was Elizabeth Sawyer a witch who sold her soul to the devil or simply a lonely, mistreated woman? Was Satan himself at work in Edmonton or were its villagers responsible for their own cruelties and corruption?

Performing live online, digital theatre specialists Creation will stage the ‘crimes’ and punishment of Edmonton’s witch based on a play written in 1621 by William Rowley, Thomas Dekker and John Ford. Newly interwoven with records of other historical witch trials, The Witch of Edmonton reveals the dangers of being an outsider in a place where to be different is to be condemned.

Book your ticket now to watch this striking early modern drama LIVE online.

 

Medicine, Magic, and Healing

Monday, November 29
Hotel Du Vin Exeter

1:30–3 p.m.  Panel 1:
Emily Selove, “Sleep in the Shāmil of Sirāj al-Dīn al-Sakkākī (d. 1229)”
Bink Hallum, “From Invincibility to Immunity: The Centesimal Magic Square in Legend, Theory and Practice”

3:30–5 p.m.   Panel 2:
Earl Fontainelle, “The Theory of the Pneumatic Vehicle in Late-Antique Platonism and the Islamicate Medical Sciences”
Nahyan Fancy, “Commentaries and the Emergence of non-Galenic, non-Avicennan Medical Theories”

Tuesday, November 30

10 a.m.–12.15 p.m. Panel 3:
Petra Schmidl, “Magic and Medicine in 13th Century Yemen”
Dionisius Agius, “Sellem maurum servum sacre religionis: Magic and the Inquisition in Malta 1605
Catherine Rider, “Christians, Muslims and Magical Healing in front of the Inquisition in Malta, 1600–1605”