Magic and Esotericism research group member Dorka Tamas discusses the work of Sylvia Plath, focusing on witchcraft, witch imagery, and different cultural and literary influences in Plath’s poetry.
Listen here on the Plath & Co Podcast!
University College London
Summer School in Ancient Philosophy
Monday 13 July to Friday 17 July 2020
The UCL Ancient Philosophy Summer School is offering exceptional one-week intensive courses this summer at opportunity-cost prices (£120) .
- The one-week intensive courses will be available online for the first time and accessible from any part of the world.
- There will be video lectures as well as discussion time with excellent tutors
- Participants will be provided with all materials and have the opportunity to talk about the ideas with other participants as well as the tutors
- The course on ‘Mystery, Science and the Divine’ is being developed and will be actively guided by two tutors specialised in Ancient Philosophy, Late Antiquity and Medieval Philosophy
Some of the questions that will be tackled include:
- What are the origins of rationality?
- Why were the deeper teachings of philosophical schools (e.g. Plato and Stoics) made accessible only to the ‘initiated’?
- Why is the divine so important for the ancients?
- Why did specific philosophical schools deal with magic, alchemy and astrology?
- How is the notion of ‘divine’ associated with philosophy and the occult arts?
- What kind of impetus was given to philosophy and science by the occult arts?
- Was magic and astrology really irrational during ancient times?
For further information on the ‘Mystery, Science and the Divine’ course please contact: email@example.com or firstname.lastname@example.org
Refresh the page to see a new shelfie from one of our members!
A presentation by Sarah Scaife given to the Exeter University Magic & Esotericism Research Group on 27 May 2020. This work was catalysed by Dr Emily Selove’s presentation, Dangerous Books, to the same research group on 3 April 2020. Scaife was intrigued by Selove’s reference to a spell involving “a slave girl”, which relied on the intimate interior of a woman’s body as a site of magic. This brought to mind Bernini’s sculpture of a woman who began to experience religious ecstasy during almost a year of ill-health, The Ecstasy of St Teresa, and links to Scaife’s own practice-based research. The PDF shared here is the Notes view of her 30 minute presentation:
Sarah Scaife’s Academia.edu profile can be found here:
Truths and lies
Concealment and revelation
Chaos and oder
These are challenging times. How we communicate, how we look at one another, and how we perceive our everyday surroundings are radically shifting from day to day. Join in with Professor Brian Rappert in using magic as a method for reflecting on our altered experiences. In this highly interactive, on-line event, some of the magic will take place in your very hands! And who doesn’t need a bit more magic in their lives these days…
Magic in an Age of Pretence isn’t an ordinary magic show! Instead of a magician set apart from the audience, this show consists of using the play of secrecy, disclosure and deception in magic to generate discuss the role of secrecy, disclosure and deception in art, science, war, and daily life. Find out more about Brian Rappert here: hhttps://brianrappert.net/
Instructions for taking part found here:
Hellebore is a folk horror and occult zine, whose editor Maria J. Pérez Cuervo and art wizard Nathaniel Winter-Hébert compile tantalising morsels for a wide but discerning audience. Contributions include short academic discussions, personal curios and art pieces. The zine is stunning and, with just two issues out so far, establishes a strong visual identity.
This second issue, aptly released on Beltane, May 1st, is devoted to Wild Gods. Maria writes in the editorial: ‘I wanted it to focus on rites of fertility, divine ecstasy, and ritual madness. But The Wild Gods Issue took on a life of its own. You’ll find themes of rebellion, opposition, and self-discovery, for these are the things that The Wild Gods embody.’ And these are, perhaps, the things that we as readers need in these uncertain times. Contributors include: Joe Gough, Occult Part and Richard Wells for art, and Melissa Edmundson, Ruth Heholt, K. A. Laity, Alan Moore, John Reppion, Katy Soar and yours truly for words.
The pieces in the Issue range from the epicurean worship of Pan in the Buckinghamshire countryside to the ride of the Wild Hunt in Norfolk, but what struck me most acutely was the sheer presence of all the pieces, their rootedness in the physical and emotional landscape of folklore and faith. All contributors offer accessible, but rigorously informed accounts of Wild Gods in their various forms, that are, to a one, a pleasure to read. On a personal note, Hellebore ticks a crucial box – consistent footnotes – which shows it is not a casual publication.
Behind the scenes, the process of submission is clear and straightforward. Working with Maria on edits to my piece was a true collaborative effort, with the final product being delightfully augmented by the sensitively-chosen visual material. The piece on the Sorcerer of Trois-Frères, that had me yowling at French archaeological field reports in the writing, was transformed into a coherent and engaging narrative.
You can support Hellebore and its contributors by buying the zine: helleborezine.bigcartel.com
or following it on social media: @heleborezine
Watch the full interview conducted by Professor Sajjad Rizvi here:
A Youtube video about some of the issues explored by Emily Selove’s Leverhulme-funded Sorcerer’s Handbook research project:
And an interview on the Secret History of Western Esotericism Podcast on the same subject!:
” A truly unique film festival overtly dedicated to the domain of Hermetica: The Unorthodoxy underlying the mainstream intellectual history, the neglected Heterodoxy rooted in our cultural legacy, the eternal search for understanding the Inexplicable, the everlasting fascination for the Supramundane, the timeless allure of the Supernatural.”